Mother
and daughter Emily and Eden (Eli DeGeer and Ana-Rojas Plumberg)
escape a dangerous domestic disturbance in their home. As they're on
the road they encounter a more dangerous threat as they are run off
the road by a bloodthirsty group of werewolves. Taking shelter in a
nearby house, their problems only get worse. Now they are fighting
for their lives and faced with potential death on Bonehill
Road.
The
film gets off to a promising start with Emily and Eden on the run in
the car. As they drive through foggy, back country roads, they are
run off the road by the werewolves. I was excited by the beginning
and looking forward to how Emily and Eden would survive the night.
Unfortunately the fun and promising beginning is where my excitement
ended as the film progressed.
The
biggest problem for Bonehill Road are imposed on itself by the
script. When Emily and Eden take shelter in a house, the entire
middle third of the film is consumed by a group of women being held
captive and terrorized by a cannibalistic madman. The scene has the
frenetic, dangerous, and crazed feel of the dinner scene from The
Texas Chain Saw Massacre. But with the madman not having anyone
else of his kind to play off of, he comes across as an over the top
delirious clown who has no foundation or basis for his craziness.
He's just crazy for the sake of crazy and the character just comes
across as lazy. His antics coupled with the well-intentioned but
melodramatic fear of the captive women make the entire sequence
laughable.
The
other problem with the scene is the uninteresting madman takes the
place of the villain role for a big chunk of the movie while the
werewolves fall by the wayside. We get random shots of them gathering
around the house as they hear the screams of the women. These shots
are basically just the werewolves standing there in front of the
house and growling. The werewolves are obviously way more interesting
than a generic madman and I wanted more of them.
If
the script dropped the lazy device of the madman, created a struggle
for survival and shifting power dynamic between the women in the
house as they tried to keep the werewolves out (a la Night of the
Living Dead), Bonehill Road could have been a much
stronger, more focused, and interesting film.
While
the lack of werewolves and uninteresting madman holding the women
captive wasn't a winning formula for me, I do give a ton of credit to
filmmaker Todd Sheets for using practical effects for the werewolves
and gory scenes. The best parts of the madman holding the women
captive are the excessive blood and gore scenes, and there are a
lot. Sheets does not hold back as the camera captures full on
plenty of blood and very gory open guts, which will more than please
gore hounds. The werewolves look great as well and perfectly capture
the essence of a low budget midnight movie. A lot of effort went in
to these practical effects, and I applaud the filmmakers for that.
Unfortunately
Bonehill Road as a whole didn't live up to the very cool
looking posters or the fun practical effects featured in the film.
With a script that seemed devoid of werewolves until the final act
and an ill advised tendency for overly serious melodramatics and
bland characters, Bonehill Road is all growl and no bite.
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