I was very happy
to get the chance to connect with the great Debbie Rochon and discuss
her career and new film/directorial debut Model Hunger. Debbie
is an absolute indie horror legend and looking over her IMDb page is
mind boggling with 250 actress credits and no less than 15 films in
various forms of development. Whether it be her time at Troma,
Fangoria Radio with Dee Snider, or her award winning column Diary of
the Deb, Debbie Rochon has more than a lifetime in horror behind her
and she's only in her forties. Add a directing credit to her resume
and she shows no signs of slowing down.
How long were you thinking about
directing a film and what was it about the Model Hunger script that
made you decide it would be your directorial debut?
DR: I have always had
my sights on directing but it had to be something special and unique.
I had offers before but the scripts were very flat and typical. When
James Morgart sent me the script for Model Hunger I couldn't put it
down and it was something I could really get behind and add so much
to. I immediately knew this was the film I wanted or rather had to
make and could live with for the years it would take from start to
finish.
What films and/or filmmakers
influenced your direction of Model Hunger and what was the most
surprising lesson you learned being a first time director?
DR: I have always been
a huge fan of the NYC underground movies from the 70s and 80s. Also
Jim Jarmusch, David Lynch and John Waters are huge influences for me.
The most surprising lesson I learned making the movie was how
incredibly creative being a director can be. As an actress you have a
lot of creative input but as a director you have say over every
aspect of the movie and I really loved that. I love details and that
was the most fun, creating tiny details that people might get or they
might not get but either way it's OK because they are there for those
that see them.
Both Lynn Lowry and Tiffany Shepis
give emotional and strong performances in Model Hunger. Even the
younger actresses demonstrated real fear when Ginny (Lowry) got a
hold of them. What preparations as a director were needed to bring
out such strong performances from your actors and was there anything
you said to them to get them in that frame of mind?
DR: I rehearsed a lot
with the younger actors in the film. I really needed them to be on
point and in the right mode for the scenes to work. Without the
rehearsals I think it might not have been as visceral. Lynn and
Tiffany bring a lot of experience so working with them was more about
giving them space, direction when needed, and as many takes as they
needed. They were both so incredibly prepared so it was a joy to see.
You have over 250 film credits to
your name and you always manage to give such intense and committed
performances. Where do you draw the energy and creativity from to
constantly be at the top of your game and is there a performance or
two that you are particularly proud of?
DR: I always try to
bring everything I have to a role. I may not always succeed but I
always give it my all. I think having had so many difficult times and
situations in my early years really gives me a lot of angst to draw
on. I love working on characters and finding their flaws and
vulnerabilities. Even crazy killers have them. Hard to name just a
couple of performances because sometimes you can love a role but the
movie didn't turn out as well as you hoped it would. But roles where
the movie came together along with my roles would include American
Nightmare, Nowhere Man, Colour From the Dark. There might be more but
those jump out when I think about the work put into the character and
the movie turning out so well.
You've overcome a lot in your life
and achieved a lot as well, making a living as a working actress and
becoming a cult movie icon, and now having directed your first film.
Have you ever thought about writing your memoirs?
DR: Yes. This has been
an on going project. I do get side tracked by other projects but I
indeed am working on that as well. I realized I couldn't condense
everything and still bring the readership into the depths of the
experiences by trying to write everything in one book. My beginning
years as a homeless teen would be a book unto itself I realized. Too
many stories and intense experiences to just skim over it all.
And finally, what upcoming projects
do you have coming up that we should keep an eye out for?
DR: Thank you so much
for this interview, I appreciate your thoughtful questions. Coming up
next will be a few different projects all extremely different in
their styles and substance; MALEVOLENT, NIGHTMARE BOX, KILLER RACK
and DEATH HOUSE are a few to look for in the near future!
Thank you so very much to Debbie for taking the time to chat with me! Be sure to check out her directorial debut Model Hunger which is available now on DVD and keep an eye out for her many upcoming projects (Killer Rack is a must see, more on that coming soon). To keep up with her ever busy career be sure to follow Debbie on Twitter at @DebbieRochon and Facebook at @DebbieRochonNewsPage.
Just saw a recent film with her in it last night. She is great!
ReplyDeleteDebbie is fantastic! Be sure to check out her new directorial debut, Model Hunger. I wrote a review for it in June 2015, it was just released this July.
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