The Neon Dead
The
Neon Dead is about an unemployed recent college graduate named
Allison (Marie Barker) who discovers that her new home is occupied by
a group of undead voodoo zombies. To get rid of the problem Allison
calls on two paranormal exterminators, Desmond and Jake, who are
eager to take the job. But this particular paranormal case may be
more than they bargained for.
The
Neon Dead has a rather obvious ode to the days of video stores and a
bygone era of the home video explosion and the creative and
imaginative horror films that came with it. The films main character,
Desmond (Greg Garrison), works in a video store located in a
supermarket (remember those days?), the title The Neon Dead is a nod
to the 1981 indie horror staple The Evil Dead, and one scene displays
a Tales From the Crypt comic. So the film does not try to hide it's
influences, it instead wheres them very proudly on its sleeve. This
nostalgia in horror, particularly indie horror, seems pretty common
these days with varying degrees of success. I'm happy to say that The
Neon Dead plays the nostalgia card pretty well and captures the fun
and campy feel writer/director Torey Haas was most likely going for.
I'll
start by pointing out the strength in the casting. Marie Barker as
Allison is severely likeable in this film. She's an independent woman
with a professional demeanor (recent college graduate living on her
own) who also has a wide eyed child-like innocence about her that
captures her character perfectly as a young woman ready to start her
career. Greg Garrison also does a great job as the cocky but charming
Desmond who has an apparent and immediate attraction to Allison. This
attraction pushes Desmond, along with his partner Jake (Dylan
Schettina), to get the job done no matter what. The likeable and
somewhat clumsy acting of the three leads is endearing and we root
for these characters.
The
wonderful neon creature design is another thing The Neon Dead has
going for it. This isn't Avatar-like technology here folks, but on a
reported $17,000 budget the undead look like demented glowing
Snapchat filters that look like a twisted masquerade party inside of
a dead fun house rave. Just the sight of them is high energy and tons
of fun and it's best to watch this in the total dark (duh) so the
neon colors will be the most effective.
At
the center of the film is a creative little back story that explains
how the undead came to be in the house and tells how they are more
than just zombies, this is mentioned several times throughout the
film: they're zombies but...there's more to it than that! It's a fun
little history that plays out like an episode of Tales From the
Crypt.
The
one aspect of the film that doesn't add anything to it was the music.
I wish it had a more loud and energetic feel to it at times, combined
with the loud look of the undead it could have enhanced several
scenes. Instead the music feels flat at times and even seems to drag
down the pacing at certain points.
The
film and its characters have a nonchalant feel that is an oblivious
and funny portrayal of the wacky and potentially deadly adventure
that is playing out on the screen. The attitude throughout The Neon
Dead is, “ok, we're going to fight some undead voodoo zombies and
save the world today.” It plays off the youthfulness of the
characters and combined with fun and campy lines like, “no one
turns my friend into a zombie and gets away with it,” The Neon Dead
is an all around great time.
The
climax of the film has what looks like good old fashion claymation on
display in a swirling video game-like world of racing red and green
lights that caps off the film nicely and brings full circle the ode
to a bygone era of horror that was mentioned earlier. Turn off the
lights and grab some popcorn and just have fun watching this one!
And
watch through the end credits.
Monday, September 12, 2016
Thursday, September 1, 2016
INTERVIEW: Red Eye Filmmakers Tristan Clay and Destinie Orndoff
Interview with Red Eye filmmakers Tristan Clay and Destinie Orndoff
It's
always exciting to see young filmmakers starting out who have the
potential to become big names in the horror genre. This is the case
with writer/director Tristan Clay and writer/star Destinie Orndoff as
the two wrap principle photography on their first feature film Red
Eye. The two have the know how
and passion to take their production company, Deranged Minds
Entertainment, and produce quality films for a long time. With that
said I was happy to connect with Tristan and Destinie and discuss
their experience on Red Eye as
well as their horror inspirations and more.
.......................................................................................................................
First,
explain what Red Eye is about?
"Red
Eye" is a legend Gage use to be told as a kid. When Gage found
out there was truth behind the legend he decided to take a group of
friends out into the backwoods of Black Creek WV. He used this legend
as the basis of his first film project as he is an aspiring
filmmaker.
Were
there any influences on the filming style for Red Eye? If so, what
were they?
Destinie:
One of my biggest influences was "The Devils Rejects"
because the handheld, in your face, gritty look for the intense
scenes was something we utilized in the second act of "Red Eye."
"Evil Dead" (2013) was another influence because the
lighting of the woods and camera work through the woods was visually
stunning.
Tristan:
I agree with Destinie on how influential the look of "The Devils
Rejects" played a part in our film. I also think "Night of
the Living Dead" was one that had some influence on the film
with the use of shadows.
Were
there any inspired moments on set that allowed for improvisation or
the slight changing of a scene, or did you pretty much adhere to the
script?
Tristan:
We followed the script fairly well but there were a few things that
got alternated or cut because various conflicts or reasons. All in
the fun of independent filmmaking!
Destinie,
as an actress how is it different preparing a character for a feature
length film as compared to a short film?
Destinie:
With a feature film, you definitely get to spend a great amount of
time with your character opposed to a short that is usually done in a
day or two.
You
had a couple of popular names in the indie horror world on set with
Jessica Cameron and Heather Dorff. What was it like working with
them and what was the biggest takeaway you had from their
experience?
Destinie:
They are both very (very) sweet girls and definitely know how to have
a good time. It was great working with them as they are very seasoned
actresses that have years of experience. I learned a lot about the
industry and craft with my time spent with them.
Tristan:
Oh boy...where do I even start? These girls are a blessing. It was an
absolute honor working with them. They taught me so much in such a
short time. We were lucky to have them apart of our first film. And
jeash, do they know how to have a good time!?
Was
there a specific film or actor or filmmaker for each of you that
made you want to make movies?
Destinie:
Some directors would be Rob Zombie, Jen & Sylvia Soska, and Wes
Craven. I'd say the twins because they started out the way we did
with "Dead Hooker in a Trunk" with a budget of nothing then
built themselves up. I'd also say Rob Zombie because I fucking love
him and I aspire to make films as original and bad ass as his. And
Wes Craven because "Nightmare on Elm Street" was the first
horror film I saw as a kid and my favorite of all time, he is the
reason I am the person I am today.
Tristan:
I'm going to copy Des above but I do have to say Rob Zombie has
inspired me to make original films that stand out as their own.
Another inspiration of mine that I have to give credit to for helping
me tremendously in making my first feature and inspiring me on the
daily is my dear friend, Jessica Cameron. She is one of the most hard
working people with such a beautiful soul and talented mind.
Having
completed the filming on your first feature film, what's the most
important thing other first time filmmakers should expect?
Destinie:
I'd say other first time filmmakers should expect that its not a walk
in the park. It takes hard work, dedication, and immense passion to
make a feature film. But if you love it enough and never quit, its
possible. Go out and kill it.
Tristan:
I will definitely say making a film is not easy. We've faced so many
challenges but they've only made us stronger and ready for the next
one. Don't let that scare you though...because nothing worth it comes
easy. Hit record and tell a story!
Tell
us where we can find and connect with you guys, Red Eye, and
Deranged Minds Entertainment. Also. do you have any other projects
in the works or anything else you'd like to share?
Destinie:
I have "Party Night" coming out next year and a few other
films in the works. As for Tristan and I we are all "Red Eye"
until we get it through post-production. Although, we do have another
film idea for a future project.
Tristan:
Ever since we've wrapped production I've been stuck on the creative
train and wanting to begin writing. There is a project I've been
offered a position on in LA that I am hoping happens and is green
lit. Other than that, my focus is all on our film "Red Eye,"
getting it edited, and getting it to YOU!
..........................................................................................................................
I
want to thank Tristan and Destinie for taking the time to talk with
me! I encourage readers to check out all the social media sites and
connect with Red
Eye and
friend Tristan and Destinie on Facebook and follow them everywhere
else. It'll be fun to watch their careers grow and this way you can
say you've been there since the beginning.
Tristan
ClayFacebook: Tristan Clay
Instagram:
@TristanClay
Twitter:
@iTristanClay
Destinie
Orndoff
Facebook:
Destinie Orndoff
Instagram:
@LivingDeadGirl_97
Twitter:
@HorrorGal_97
Red
Eye
Instagram:
@RedEyeFilm
Deranged
Minds Entertainment
Facebook: @DerangedMindsEntertainment
Facebook: @DerangedMindsEntertainment
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